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Shakespeare Vocab Review

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Across
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In Act 1, scene 1, Sampson and Gregory, Capulet servants, speak to each other during the fight in the streets of Verona - no others hear them, besides the audience
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A speech in which a character, alone on stage, reveals private thoughts that the audience is allowed to overhear.
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Sampson: "Gregory, upon my word, we’ll not carry coals" (I.i.1).
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"O brawling love, O loving hate" (I.ii.172)
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"Two house / holds, both / alike / in dig / nity" (Prologue)
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"The which, if you with patient ears attend, What here shall miss, our toil shall strive to mend" (Prologue, 13-14).
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Most of "Romeo and Juliet" is written in this. Nobles and heightened themes are spoken in verse. Comic relief will typically appear as prose.
Down
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Well, in that hit you miss. She’ll not be hit With Cupid’s arrow. She hath Dian’s wit. (1.1.199–200)
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written or spoken language in its ordinary form, without metrical structure
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“There is no world without Verona walls, / But purgatory, torture, hell itself. (III.iii.17-18)
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a figure of speech that involves two different meanings or interpretations of a word, phrase, or sentence, wherein one meaning is readily apparent and the other is more risqué in nature.
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the incorrect use of a word that sounds similar to the one intended, usually to an unknown comedic or ridiculous effect.
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"Love is a smoke made with the fume of sighs" (I.i.186)