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Shakespeare Vocab Review

Across
In Act 1, scene 1, Sampson and Gregory, Capulet servants, speak to each other during the fight in the streets of Verona - no others hear them, besides the audience
A speech in which a character, alone on stage, reveals private thoughts that the audience is allowed to overhear.
Sampson: "Gregory, upon my word, we’ll not carry coals" (I.i.1).
"O brawling love, O loving hate" (I.ii.172)
"Two house / holds, both / alike / in dig / nity" (Prologue)
"The which, if you with patient ears attend, What here shall miss, our toil shall strive to mend" (Prologue, 13-14).
Most of "Romeo and Juliet" is written in this. Nobles and heightened themes are spoken in verse. Comic relief will typically appear as prose.
Down
Well, in that hit you miss. She’ll not be hit With Cupid’s arrow. She hath Dian’s wit. (1.1.199–200)
written or spoken language in its ordinary form, without metrical structure
“There is no world without Verona walls, / But purgatory, torture, hell itself. (III.iii.17-18)
a figure of speech that involves two different meanings or interpretations of a word, phrase, or sentence, wherein one meaning is readily apparent and the other is more risqué in nature.
the incorrect use of a word that sounds similar to the one intended, usually to an unknown comedic or ridiculous effect.
"Love is a smoke made with the fume of sighs" (I.i.186)