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Name 10 different characteristics of 20th Century Music

Across
The theater of the absurd. It is also a term for the style of theatre the plays represent. The plays focus largely on ideas of existentialism and express what happens when human existence lacks meaning or purpose and communication breaks down.
Amplified music
Borrowed from other nationalities. ............... refers to the use of musical ideas or motifs that are identified with a specific country, region, or ethnicity, such as folk tunes and melodies, rhythms, and harmonies inspired by them.
Subjectivity, emotionalism, programmatic bases, and large orchestras were some of the traits which persisted even in compositions which employed new harmonies, rhythms, timbres and tonalities. It is a stylistic movement in Western orchestral music associated with the period of the nineteenth century commonly referred to as the Romantic era
Two names most closely identified with ................. is Arnold Schoenberg (he avoided "traditional forms of beauty" to convey powerful feelings in his music) (1874 – 1951) and Alban Berg (1885 – 1935)
Functional Music(German name)
Return to pre-romantic ideals of objectivity and clarity of texture.It was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint.NEO.......?
Down
Change Music. 20th-century music in which chance or indeterminate elements are left for the performer to realise.
This was the first trend towards 20th-century modernism.It was a movement among various composers in Western classical music (mainly during the late 19th and early 20th centuries) whose music focuses on mood and atmosphere, "conveying the moods and emotions aroused by the subject rather than a detailed tone‐picture.
Romantic music that has been replaced.a Trend allied with neoclassicism. Sometimes (abstract music) is music that is not explicitly "about" anything; in contrast to program music, it is non-representational.
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