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Chapters 7 through 9

Across
Down a 4th and up a 2nd
Determines type of harmonic sequence
The circle of fifths progression is a representation of these
Melodic line implied by additional or inner voices
Adding the root in the soprano avoids this
A step down or up and then back
Sequence implied by the bass
Not a Contrapuntal form
Pattern repeated within different voice
Two voices mirror one another
Type of embellishment
Down
Denotes independent voices
Not a type of harmonic sequence
This harmonic sequence goes down a 5th and up a 4th
A cadence of a V chord followed by a vi
1st or 2nd inversion triads in lead sheet
Consists of passing sixths
Broken Chord: low-high-mid-high
Another name for arpeggiation
Pattern within the same voice