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12/13/19

Across
The sound of notes that clash, either harmonically or melodically, and do not seem to belong together.
The assembly that was responsible for crafting the Catholic Church’s reaction to the Protestant Reformation was the council of _____
Susato’s Moorish Dance was likely performed by professional____, for a variety of scenarios
A particular type of counterpoint in which one voice introduces a new theme and is answered ("imitated") by other voices that enter in succession shortly afterward, even as the first voice continues to sing or play.
Vocal music with more than one singer to a part.
The movement that represents the Catholic Church’s response to Protestantism was the ______________
William Byrd worked for the Queen Elizabeth I of England, who was ______________.
The Council of Trent worked to remove________musical influences from musical settings of the Mass.
The dance step for which the music was written determined the tempo, meter, and _________of Renaissance dance music.
An English sacred choral work.
The English anthem is the equivalent to what composers writing for the Roman Catholic Church called a ______________
Down
Palestrina’s name came from the___________near Rome where he was born.
Dancing was important to Renaissance society because It provided an opportunity to assess the health and breeding of potential ____________________.
A musical structure consisting of two repeated halves (AABB).
The sound of notes together that our ear finds naturally right.
William Byrd and other composers of his time were committed to setting the music in a manner that projected the ____clearly
An anthem is an example of a capella _______ music.
The term ______refers to unaccompanied choral music, or any unaccompanied singing
William Byrd lived under surveillance, because of the suspicion that he was harboring______.
a sacred choral work used in both Catholic and Protestant services.
In a polyphonic texture, a cadence between two or more voices that overlaps with the entry of another voice or voices.