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Television Production Industry 3

AVTF I, II, III, BA 
Across
Type of boom that must be physically held over the heads of talent.
A knob or lever that adjusts the magnifier of the viewfinder.
A very rugged mic that has a good sound reproduction ability.
A barrier made of shaped wire covered with a piece of nylon that is placed between a sensitive mic and the talent to avoid damage to the diaphragm of the mic.
The smallest type of mic that can be worn by talent and is attached to clothing at or near the breastbone with a small clip or pin.
Has a pick-up pattern that captures sound from nearly every direction equally well, except the rear.
A specific type of extreme long shot used to tell the audience where and when the program takes place
A mic that requires an external power supply (usually a battery) to operate and does not have a pick-up pattern selector.
A camera setting that determines the amount of light passing through the lens by controlling the size of the iris.
The space from the top of a person's head to the top of the television screen
The camera itself becomes the eye of the cast member.
Same as a unidirectional microphone.
Allows the operator to send pictures and video from different cameras to the video recorder.
Down
Anything placed on a set that stops the distant view of the camera.
A camera technique that moves the audience’s attention to the one portion of the picture that is in focus.
A mic that uses a short cable to connect the mic to a radio transmitter with an antenna.
The most sensitive type of mic used in television and recording studios.
Picks up sound primarily from one (uni) direction.
A composition rule that divides the screen into thirds horizontally and vertically.
The sound present in a room or at a location before human occupation.