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Forms of Music; pp. 36-40

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Across
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Period of musical style from 1800-1900
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Composition in strict imitation; a second line of melody exactly imitates the original melody, beginning a certain number of beats later (like a round)
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Concluding section in a composition; means "tail" in Italian
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A passage of music that introduces a composition
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Music performed between two entities, such as two acts of a play or opera, or two compositions, or two sections of the same composition
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Era of music history (1600-1750) in which most short instrumental pieces are binary.
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Five tone scale that is comprised of do, re, mi, so, and la; can be formed by the black keys on a keyboard instrument
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Musical piece with two sections that are similar, A and B
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A part of a composition, often labeled with an uppercase letter
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A melody upon which a piece of music is based
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How musical lines are woven together to create a "fabric"
Down
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Period of musical style from 1400-1600
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The a theme is usually a simple, catchy tune that alternates with contrasting sections; at least 5 sections are present; ABACA form; late 1700s development
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The way music is organized
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Adaptation of a composition for different instruments than the composer originally intended
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Musical piece in ternary form; originated as a French country folk dance.
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Complete musical thoughts; combined motives
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Musical piece with three sections, A-B-A
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Period of musical style from 1750-1800
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A short, recurring idea that is either rhythmic of melodic, and provides unity in a composition
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A French piece of music with peasant origin; 4/4 meter and beginning and ending each phrase in the middle of a measure
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A set of contrasting musical pieces