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Unit 1: Religion and Hip Hop

Across
This is an aspect of Western approach to religion that Pinn finds problematic because it relies on unempirical beliefs such as the existence of God.
This author argues that both religion and hip-hop have the potential to organize persons across racial-ethnic lines.
This music genre was influential in the development of hip hop because of its counter cultural witness to the black human experience that unified the spirit and the body.
Down
This form of subjectivity is what Pinn describes as what is at the center of Black Religion.
This religionist attends to the existential value that exists within Hip Hop as opposed to its operation as an institution.
This sociologist was instrumental particularly in the work of Long and Pinn because of his attention to the structural impact of racism on religious experience
This hip-hop artist exemplifies what it means to study hip hop as a religion itself.
This historian of religions argues that the category of religion is racist and needs to be evaluated based on the oppressive aspects of its socio-historical development.