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CHAPTER 4: SHAPE

Across
An area that stands out from its surroundings because of an implied or defined boundary or because of differences in value, color, or texture.
An irregular shape that resembles the freely developed curves found in living organisms.
Any graphic system used to create the illusion of three-dimensional images and/or spatial relationships in which the objects or their parts appear to diminish as they recede into the distance
Possesses, or creates the illusion of possessing the dimensions of depth, height, and width. In the graphic arts, the feeling of depth is an illusion, while in the plastic arts, the work has actual depth.
A shape whose boundaries consist of predominantly curved lines; the opposite of rectilinear.
The area between or bounded by the contours or edges of an object; the total shape.
That which is derived from the mind, instead of physical reality, and reflects a personal bias, emotion, or innovative interpretation; the opposite of objective.
A shape without clear definition; formless, indistinct, and uncertain of dimension.
A measurable amount of defined, three-dimensional space.
Down
An area that is essentially two-dimensional, having height and width.
A shape that appears related to its geometry; usually simple, such as a triangle, rectangle, or circle.
Possesses the dimensions of height and width, especially when considering a flat surface or picture plane.
That which is based, as closely as possible on physical actuality or optical perception. Such art tends to appear natural or real; the opposite of subjective.
An area lacking positive substance and consisting of negative space.
The painting style invented by Pablo Picasso and Georges Braque between 1907 and 1912, which uses multiple views of objects.