The Principles of Organization: Harmony, plus Chapter 1 review
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Across
A comprehensive idea or generalization.
A two-dimensional pictorial surface that can support the illusion of advancing or receding elements.
An area that stands out from its surroundings because of a defined or implied boundary or because of differences of value, color, or texture.
A sense of visual oneness—an organization of the elements into a visual whole.
The positioning of planes, objects, or shapes so that they appear to pass through each other,which locks them together within a specified area of space.
The measurable amount of defined or occupied space in a three-dimensional object.
That which is based on the physical reality of the object and reflects no personal interpretation, bias, or emotion.
A repeating element and/or design that can produce a new set of characteristics or organization.
Down
A visual quality in which a distant image or element can be seen through a nearer one.
A concept in which the mind perceives an incomplete pattern or information to be a complete, unified whole.
A continuance, a flow, or a sense of movement achieved by the repetition of regulated visual units; the use of measured accents.
That which is derived from the mind, instead of physical reality, and reflects a personal bias, emotion, or innovative interpretation.
A principle of organization in which parts of a composition are made to relate through commonality—repeated or shared characteristics, elements, or visual units.
The use of the same visual effect—and/or similar visual effects—a number of times in the same composition.
The interval, or measurable distance, between points or images; can be actual or illusionary.
The expression, essential meaning, significance, or aesthetic value of a work of art.
A shape that appears to stand out three-dimensionally from the space surrounding it or that appears to create the illusion of a solid body of material.
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It prints on two pages.
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