The French word that means abnormal, bizarre, exaggerated, and/or, in bad taste!
Unlike modality of the Renaissance period, cadences, and conventional bass patterns (movement by a fourth or fifth), became popular during the Baroque period.
Sculptor and author who's "David" statue evokes ancient Greek traits of Renaissance humanism.
A system in which the composer wrote the melody or melodies and the bass line, but left it to the performer(s) to fill in the appropriate chords, or inner parts.
A type of lute with long unstopped bass strings, often used for accompanying singers.
The use of consonance and sounds that are considered not to belong between voices in a chord, in order to evoke stronger emotional impact on listeners.
Down
English poet of the 17th century who wrote "Paradise Lost".
Architect and sculptor of 17th century Italy, who designed the colonnades that circle St. Peter's Square at the Vatican, in Rome.
Used in order to move the affections, Baroque musicians used trills, turns, appoggiaturas, scales, arpeggios, etc.
English author of the 17th century.
By the mid sixteenth century, it became fashionable to use this system of marking off groups of rhythmic patterns by organizing recurring patterns of strong and weak beats.
Italian composer who's famous madrigal "Cruda Amarilli" was severely criticized because it valiantly defied all established rules for counterpoint of the day.
French playwright of the 17th century.
Style of composition in which normally contrasting musical forces are brought together in a harmonious ensemble.
17th century Spanish author of the novel "Don Quixote".
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