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CHAPTER 2: FORM

Across
A concept in which the mind perceives an incomplete pattern of information to be a complete, unified whole.
Differences achieved by opposing contrasting, changing, elaborating, or diversifying elements in a composition to add individualism and interest. Opposite of Harmony.
When parts of a composition are made to relate through commonality- repeated or shared characteristics, elements, or visual units. Opposite of Variety.
The comparative relationship of size between units or the parts of a whole.
A sense of equilibrium between areas of implied weight, attraction, or moments of force; one of the principles of organization.
A continuance, a flow, or a sense of movement achieved by the repetition of regulated visual units; the use of measured accents.
In which certain visual elements assume more importance than others within the same composition or design.
Down
Eye travel directed by visual pathways in a work of art.
The organization process or underlying plan on which artists base their total work.
The use of the same visual effect-and/or similar visual effects- a number of times in the same composition.
The distillation of the image to the basic essentials for clarity of presentation.
The association of size relative to a constant standard or specific unit of measure.
1. Any artistic design. 2. A repeating element and/or design that can produce a new set of characteristics or organization.