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CHAPTER 9: TIME & MOTION

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Across
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An art movement that initiated new ideas about color, light, finish, and, to a lesser degree, dynamic movement.
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An American art movement that grew out of surrealism, with an emphasis on spontaneity or subconscious creation.
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A style of artistic expression, that emphasizes fantasy and whose subjects are usually experiences revealed by the subconscious mind. Originally grew out of Dadaism.
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Stands for “Popular art” which was prompted by the dissatisfaction of younger artists with their position or prospects in relation to the dominance of abstract art.
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A style of art that emphasizes universal characteristics rather than specific information. Often features a generalization of subject matter.
Down
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Art that deals with the natural environment but can also be applied to historical and social contexts of a particular environment. Usually addresses environmental awareness and uses natural materials that do not cause harm to the environment.
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A painting style invented by Pablo Picasso and Georges Braque, which uses multiple views of objects to create the effect of three-dimensionality while acknowledging the two-dimensional surface of the picture plane.
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An art movement that refashioned Cubism in light of its own desire to glorify the dynamic character of the machine age.
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An art movement that not only included art but also music, dance, and Literature and was a precedent for non-objective abstraction in the early twentieth century. Relied only on the basic elements for meaning-without any trace of the artistic process.
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An art style from the 1900s that opened modern art to a new freedom of humorous expression, creative imagination, contradictory tendencies, and intentional provocation.