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The Oppositional Gaze

Across
As Mulvey states, “The extreme contrast between the darkness in the auditorium...and the brilliance of the shifting patterns of light and shade on the screen helps to promote the illusion of ______ _____” (2 words)
As hooks states, “It was the _______ ______ ______ that responded to these looking relations by developing independent black cinema.” (3 words)
Black female spectators have had to develop ___________ within a cinematic context that constructs their presence as absence (2 words)
When a spectator watches a film, it is expected that they will make a _____ or _______ identification with characters on the screen. (2 words)
Author and Feminist, ____ hooks
The woman is the symbol of the ________, the one who lacks
The oppressive structure that makes black women spectators submit in order to watch the forced and painful images of blackness produced in white cinema (2 words)
In women’s traditional role on screen, they are both displayed and looked at. Their appearance was strongly arranged to invoke erotic and visual desire, they had to exude ________. (5 words)
The fear of emasculation in both the literal and metaphorical sense (2 words)
Down
Pleasure in using another person as an object of sexual stimulation through sight
When sitting in a dark theater, one feels safe and alone, allowing the viewer to take on the role of the _____ ______ (2 words)
In one famous quote from hooks’ text, The Oppositional Gaze, she states that, “there is _______ in looking”
Associated with sadism: pleasure lies in guilt, control, and punishment
hooks’ reworking Foucault’s idea that there is always a possibility for agency found in the cracks between hegemonic power structures (3 words)
Dependent on the image of the castrated woman--the lack of power from the woman gives power to the phallus
As Jackson writes, “An _____ _____ __ is any part of the subject’s body that appears to be detachable, and thus conducive to symbolizing the lack that founds the subject and motivates desire” (3 words)
hooks recounts this character as a toxic representation of black womanhood, where she was painted as a nag, a foil or a backdrop on a popular show.