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Flags Vocabulary

Across
the written equipment work, staging and dance/movement
- Putting forth 100% effort when doing a performance.
Double time spins on flag created by Peggy Twiggs, the foundation of present colorguard.
another term used to refer to the color guard and other performers (which may also include dancers, pom poms, baton twirlers and others) who provide a visual representation of the music.
Doing the work to a show without a physical peice of equipment in hand.
Basic fundamental of all guard work, down, up, down, up with the flag.
All guard members positions on the floor for a particular point in the show
any guard work that goes through the 45° planes
pieces of tape added to the bottom part of a flag pole used as reference points for hand placement when teaching and cleaning routine
Goes on the end of the pole taped to the end of the stopper. Adds weight to the end of the pole to balance the flag.
Usually, a plastic tarp on which guard members perform their show on. Usually, painted to reflect the theme of the show.
Down
Going through the movements of the show but not putting forth the full effort.
intellectual (range/quality of design, i.e. how "hard" or "cool" the work is), aesthetic (holds the viewer's attention through time), emotional (event planned for the specific reason of getting a response of the viewer)
Double the speed as a regular spin and hand movements are down, flat, up, flat.
another term to describe the fabric part of a flag
Basic movement in colorguard, running with bent knees and upright posture
Hand that is not holding any piece of equipment, needs to be in control
Describes a time when the flag silk gets caught on the pole making the silk not as visually appealing
the center point of the flag pole where the flag and pole meet
when in scholastic a guard member graduates 4e4from high school, or in the age of 24 in independent A and independent open.
The end of either the pole or the rifle