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Advanced Drama Spring 2018 Final

Across
The things a character does to overcome their obstacle to get what they want.
The written blocking in a play, written in italics or inside parenthesis.
The tempo of the scene; A scene will move quickly, slowly, or at a medium rate depending on what is being communicated with the audience and the mood that is set.
An acting tool to help the scene become more believable; It shows you’re listening to the other characters in your scene and shows what you think and feel about what they’re saying and doing. Ms. Stieber’s acting professor said, “Acting is ________”
I am telling my husband about a grant that I received to study in England.
When you are placed in a role.
The area of the stage that is towards the audience.
A story, scene, or selection performed by a single actor.
A form of theatre developed in Italy during the Renaissance. It used stock characters and improvised gags through the plot that was driven through an open script
This is something that is onstage that communicates the world of the play, such as a wall, couch, or tree.
The person performing in a role of a play or movie
The middle of the story is made up of these events
All of the events of the story make up this
An opportunity in which actors demonstrate their talents and leave impressions of themselves for a casting director or director of a production.
The right side of the stage from the actor’s point of view looking towards the audience.
The volume & clarity of your voice.
The conversation between actors on stage.
This person’s job is to create a believable character built on the things they learn about their character through the script.
The decisions an actor makes to build off the script to make their character more believable.
Down
This is when you try to find the most urgent need your character has
You need this or you don’t have a plot; it’s the opposition of persons or forces.
The left side of the stage from the actor’s point of view looking towards the audience.
Tricking a loved one to be more invested in our relationship.
A spontaneous style of theatre through which scenes are created without advance rehearsal or a script.
A signal, either verbal or physical, that indicates something else, such as a line of dialogue or an entrance, is to happen.
This is a part of the audition process when a director invites you to return and read or sing from the script, usually with another actor being considered for the role.
The clear and precise pronunciation of words
The things that are in the way so the character doesn’t have or can’t get what they want in a scene or script.
This is something that can be handled by actors onstage and used to add to the believability of the story, such as a cane, picture frame, book, or suitcase.
I want my husband to show me he loves me more than the dog.
An expressive movement of the body, usually through the arms.
A rehearsal from start to finish without stopping for corrections; Notes are given afterward
The exposition and inciting incident make this up this part of the story
This is your thought process as an actor behind a choice you’ve made for a production.
This is what a character has to gain or lose in a scene or script.
. The reason the character in the story is doing what they’re doing. What do they want/what do they need?
It’s as if my parents have to pick if they’re going to spend my birthday with me or at my brother’s baseball game.
Opinions and comments based on predetermined criteria that may be used for self-evaluation or the evaluation of the actors or the production itself.
Acting without words through facial expression, gesture, and movement.
This is a type of audition where you do not prepare a piece, but will perform with material given to you on arrival.
When you can say something and the way you say it changes the meaning to something else.