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CH 14 PRINCIPLES OF HAIR DESIGN PART 1

Across
ALSO KNOW AS THE FRINGE AREA
THE CREATION OF UNITY IN A DESIGN THE MOST IMPORTANT OF THE ART PRINCIPLES
CURVING OUTWARD RECEDING FOREHEAD AND CHIN
ESTABLISHED WHEN TWO IMAGINARY HALVES OF A HAIRSTYLE HAVE AN EQUAL VISUAL WEIGHT, BUT TWO HALVES ARE POSITIONED UNEVENLY
LINES PARALLEL TO THE FLOOR AND RELITIVE TO THE HORIZON
LINES POSITIONED BETWEEN HORIZONTAL AND VERTICAL LINES
THE MASS OR GE
LINES WITH A DEFINITE FORWARD OR BACKWARD MOVEMENT
Down
LINES MOVING IN A CIRCULAR OR SEMICIRCULAR DIRECTION
ESTABLISHING EQUAL OR APPROPRIATE PROPORTIONS TO CREATE SYMMETRY.
REPEATING LINES IN A HAIR STYLE MAY BE STRAIGHT OR CURVY
OUTLINE OF THE FACE HEAD OR FIGURE SEEN IN A SIDE VIEW
LINES PARALLEL TO THE FLOOR AND RELATIVE TO THE HORIZON CREATE WIDTH IN THE HAIR DESIGN
ALSO KNOWN AS FOCUS
CURVING INWARD PROMINENT FOREHEAD AND CHIN
HORIZONTAL AND VERTICLE LINES THAT MEET AT A 90 DEGREE ANGLE AND CREATE A HARD EDGE
WAVE PATTERNS THAT MUST BE TAKEN INTO CONSIDERATION WHEN DESIGING A STYLE