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Drama 3/4 & Advanced Drama

Across
The person performing in a role of a play or movie
A form of theatre developed in Italy during the Renaissance. It used stock characters and improvised gags through the plot that was driven through an open & vague script.
The things a character does to overcome their obstacle to get what they want.
Opinions and comments based on predetermined criteria that may be used for self-evaluation or the evaluation of the actors or the production itself.
For example, in Sylvia: I want my husband to show me he loves me more than the dog
The beginning of the story is made up of these events.
Practice sessions in which the actors and technicians prepare for public performance through repetition.
A rehearsal from start to finish without stopping for corrections; notes are given afterward.
All of the events of the story make up this.
The reason the character in the story doesn't already have what they want. What's in the way?
The middle of the story is made up of these events.
A rehearsal where you stop and fix things through the rehearsal.
An expressive movement of the body or limbs.
Down
This is the actors planned movement on stage and the goal is to stay open to the audience.
Acting without words through facial expression, gesture, and movement.
A personality or role the actor creates
The ending of the story is made up of these events.
The clear and precise pronunciation of words.
This is how fast or slow the story is moving
A spontaneous style of theatre through which scenes are created without advance rehearsal or a script.
The reason the character in the story is doing what they're doing. What do they want? What do they need?
You need this or you don’t have a plot; it’s the opposition of persons or forces.
For example, in Sylvia: Tricking a loved one to be more invested in our relationship
The volume and clarity of your voice.
For example, in Sylvia: I am telling my husband about a grant that I received to study in England
A signal, either verbal or physical, that indicates something else, such as a line of dialogue or an entrance, is to happen.
The conversation between actors onstage.
For example, in Sylvia: It's as if my parents have to pick if they're going to spend my birthday with me or at my brother's baseball game.