Pattern not limited to equal spacing or motifs;flips motifs
Part of a pot at the bottom that holds the pot upright
that isn't glossy because it scatters reflected light in many or all directions
can be horizontal, vertical, or diagonal, straight or curved, thick or thin
Shapes and spaces that occupy actual space
Leatherhard stage where clay is still able to be moved slightly without cracking or damage.
is traditionally the space in which art objects meet an audience.
art that seeks to break away from traditional representation of physical objects through the use of line, shapes, and colors
is a sculptural technique where the sculpted elements remain attached to a solid background of the same material.
This is the stage of clay that most of the work is done, like throwing it on the wheel. Clay is soft and easily workable.
Pottery building techniques that involve the methods of pinch, coil, slab and sculpture
Art movement in which Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas.
Evaluating artwork based on the elements and principles of art
the process of producing sculptured form with some plastic material, as clay
of or having a special activity, purpose, or task
Second stage of the critique process that compares elements and principles to artwork critiquing
Completely dry (and very brittle) state clay must reach before firing
a natural earthy material primarily from the feldspar rock that is plastic when wet, consisting essentially of hydrated silicates of aluminum: used for making bricks, pottery, etc.
Thin slab of wood, plaster, or plastic used to support pottery forms during throwing and/or sculpting