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Stained Glass Terms

Across
glass coloured throughout when molten with one or more metallic oxides.
the method of shaping glass by means of a metal tool with a hooked end which makes a characteristic ‘bitten’ edge.
a projecting hood over a statue, niche, stall. etc, with architectural decoration, and indicates honour is being paid to the statue or person beneath it.
made by spinning molten glass attached to an iron so that it is spread by centrifugal force into a sheet which is thickest in the centre where the iron was attached.
the metal tool used for grozing
A movement of the late 19th century that attempted to replace the growing mass production of artefacts with the tradtional skills of the craftsman, based on perceived mediaeval standards and practices.
application of a thin coat of coloured glass on a base glass. Flashed ruby is most commonly found.
circular panel of several pieces of glass leaded together.
a broad brush (traditionally made of badger hair) used to spread glass paint evenly
a colour ranging from purple to pink and reddish brown.
Down
Art, architecture or decoration styles dating from after the Norman period but before the renaissance.
the removal of paint from the surface of the glass prior to firing, to allow light to come through.
Glass colored by using color pigment or metal oxide.
a mixture of finely ground glass, iron or copper oxide, and a flux, applied to the glass and fired which produces a brownish black vitreous paint.
The thick knob of glass produced where the iron was attached to the molten glass, when making crown or bottle glass
delicate geometric or leaf patterns of regular design painted on or leaded into white glass
colours consisting of a metallic oxide colouring agent and a flux of molten glass, which can be fired on to the inner surface of white glass enabling multi-coloured painterly effects to be achieved.
to scrape or grind away flashing to expose the base glass
strips of lead used to assemble a panel of glass.
pointed projections in window tracery or in arches