A break in the flow of sound in a line of poetry
A line or phrase that recurs throughout a poem - especially at the end of stanzas.
A stanza comprising of two lines.
Verse that does not employ a rhyme scheme. However, is not the same as free verse because it employs a meter
The effect produced when similar vowel sounds chime together and where the final consonant sound is also in agreement e.g. 'bat' and 'cat'.
Term originally derived from the Greek word meaning 'for the lyre' and indicating verses that were written to be sung. However, more recently the term 'lyric' has been used to refer to short poems, often written in the 'I' form, where the poet expresses his or her feelings
Poem which is directly addressed to a person or thing (often absent).
Language which is charged with strong feelings e.g. love, hate, fear, etc.
The use of words that imitate the sound that the poet is trying to describe
The repetition of similar sounds, usually vowel sounds. It is used to create a mood or enhance the tone of poetry or prose.
The repetition, at close intervals, of the final consonant sounds of accented syllables or important words
Two or more words which are pronounced the same but have different spelling and meaning e.g. 'saw' (to cut) and 'sore' (hurting).
four feet—or beats—in a verse or line of poetry
A foot consisting of two syllables where the first is short or unstressed and the second is long or stressed e.g. as in 'beSIDE'.
A stanza comprising of eight lines
The continuation of a sentence or phrase across a line break - as opposed to an end-stopped line.
The creation of images using words. Poets usually achieve this by invoking comparisons by means of metaphor or simile or other figures of speech.
Three feet—or beats—in a verse or line of poetry