The work by Louise Nevelson (0.0.3, p. 22) is a ____________ characterization of a river.
The groups, institutions, or individuals who buy or sponsor the creation of works of art (p.23)
The artist who made Old Man's Cloth (p.24) from old liquor bottle caps
The material on or from which an artist chooses to make a work of art. (p. 23)
The meaning, feeling, or message expressed in a work art (p. 35)
The overall design or organization of a work (p. 22)
Art that depicts figures and objects so that we recognize what is represented. (p. 35)
The "most enduring example" of a work of art that is not in a museum or gallery but a religious space (p.25)
The blood head shown in 0.0.16 is quite massive, much as giant heads created by artists in Africa and _________, which convey a compelling power because of their size. (p.32)
Oil paint is _____
suspended in oil, while Tempera is ______suspended in egg yolk. (p. 25, 27)
Having massive or impressive scale. (p.32)
The person, object, or space depicted in a work of art (p. 20)
The characteristic way in which an artist or group or artists uses visual language to give a work an identifiable form of visual expression (p. 20)
One of the RW in APAH is by the artist whose work is shown in 0.0.18b (p. 35)
Circumstances surrounding the creation of a work of art, including historical events, conditions, biographical facts about the artist and their intentions. (p.24, 25)
One of your RW in APAH is by the artist whose work is shown on p. 33